JUNGLE beauty ... Angkor Wat.July 28, 2007
Sarah Nicholson
Courier Mail (Australia)
I ALWAYS thought that visiting Cambodia's Angkor temples would be like exploring a lost city.
For many years I had heard tales of crumbling ruins hidden from time by steamy triple-canopy jungle that echoed with birdsong and the call of mysterious animals.
I imagined walking along jungle tracks, coming upon a faded ruin only after the last strike of a guide's machete cleared an overgrown patch of scrub. But the reality of Siem Reap's Angkor is this: hordes of tourists and well-worn paths leading to crowded temples.
Pick the wrong time of the day to visit Angkor Wat, the most famous of the region's temple complexes and the symbol on the Cambodian flag, and you'll be sharing the site with thousands.
The tour buses start arriving mid-morning and drop their passengers on the other side of the moat, with tourists flooding across the Naga Causeway to the dusty temple compound.
While Angkor is now firmly on the tourist track there are still ways to guarantee that you get to see the temples without being surrounded by hundreds of other people, and one is to pick the time of the day you visit.
Start early, and head into the temples while they are still quiet.
If your target is Angkor Wat, which was built by Suryavarmsan II between 1113 and 1150, start at the back gate and work forward past the teams of locals tending the grounds.
Your first view of the grand temple will rise from the path as you walk up the slight incline and you will get to see parts of the complex that many visitors don't come close to, like the detailed carvings on the long walls of the outer gallery.
Angkor Wat is a combination of corridors and courtyards, that are revealed like a Russian matryoshka doll, and it all surrounds the central towers which reach like blooming rose buds towards the sky.
When you're walking towards the front gate, with the temple behind you, make sure you leave the pedestal path and walk to one of the side ponds where you can see the structure perfectly reflected in the still water.
After visiting Angkor Wat make the short drive to Angkor Tom which was known as the Great Capital and considered to be a settlement under the protection of the gods when it was home to millions in the 14th century.
At the centre of this ancient city is Banyon which is a dilapidated structure made up of 16 towers that are clustered together and each one has four giant faces carved into the stone.
After the original inhabitants moved out of this complex around 1600 it was given back to the jungle and only rediscovered in the 19th century, by which time it had crumbled and only some of the faces remained.
This place is a maze of tiny rooms, steep staircases leading to open ledges, and dark corridors and every step will reveal a different perspective of a ruin that's built from ageing black and grey stone set against a moody humid sky.
Further along the same road is the monastery temple of Jayavarman VII, called Preah Khan, and while the secret with Angkor Wat is to start early the hint to visiting this peaceful complex is to come during lunch.
It's the hottest part of the day, when the daytrippers are hiding from the searing heat in the hotel pool, so the crowds all but disappear and the silence of the Cambodian bush that hugs this steamy site is disturbed only by the buzz of insects.
While Angkor Wat and Thom are impressive in their dilapidated beauty, it's hard to imagine anyone using those structures in the past. But Preah Khan is just as it was when it was a thriving community and while some walls have tumbled, and are now just a pile of stone blocks, it's still clear to see where one room finished and the other started.
Climbing through the dark corridor, which takes some effort because different levels have appeared as paving blocks and have moved over time, the door frames become smaller which was a design feature to thwart invading armies.
Just as with every building at Angkor there are sprays of intricate carvings on every wall and it's no different at Preah Khan with little Apsaras – Angkor's trademark celestial nymphs – or faceless buddhas on every surface.
Preah Khan was also given back to the jungle when the original community abandoned the town and now this is where you will see trees growing out of stone.
Right at the back of the complex, near the stage where dancers and musicians performed for the aristocracy, a seed dropped into a shelf in the stone wall hundreds of years ago and today the roots of a plump tree are draped over this ancient building.
There's one more temple that's worth a visit and while the first three sites are huddled together the fourth one, Banteay Srie, is a bit of a drive.
This is the Citadel of Women which was completed in 967 and today it's considered to be one of Siem Reap's treasures because of the intricate carvings, delicate structures and good repair.
This complex is also set inside a tall outer wall and protected by a moat, but while the other structures have been presented in a dull palette of black and grey this place is a rich ochre hue that glows in the Asian sun.
When a late shower falls on the area large drops plonk into the moat and make the lotus flowers dance as if they're being controlled by a puppeteer holding a string.
There are no grand structures here, just small chambers protected by false doors and connected by elevated walkways with high porches, and an old woman sits silently on a step with her back against a crumbling column to watch the tourists.
But it's the intricate carvings – more detailed and in better condition than at many other structures in the region – that make it a memorable place to visit.
It's not just the walls of carvings that tell historic tales but panels of stylised stone flowers that surround a false door and Apsaras beauties posing above a window.
Another rule is the further you get from Siem Reap the more quiet the attractions become and, with dozens of ancient sites to visit, it's not hard to find a place to enjoy without the crowds.
It's so easy to get to Siem Reap and Angkor these days and it's not considered to be a dangerous place any more, with the risks of getting into trouble no higher than in any other part of Asia that's on the tourist track.
But if you do plan to explore Angkor's ancient buildings consider engaging a local guide who will take you to the different attractions and pointing out things that make a visit more meaningful.
Our guide, Sarin, was a child of the Killing Fields who fled to a Thai refugee camp after his father was murdered. He waited out the Khmer Rouge regime and then had to live with monks when he returned to Siem Reap because his mother was too poor to care for him.
Sarin knew so much about every place we visited and would give us a commentary about carvings and pavilions with stories of kings and battles.
For many years I had heard tales of crumbling ruins hidden from time by steamy triple-canopy jungle that echoed with birdsong and the call of mysterious animals.
I imagined walking along jungle tracks, coming upon a faded ruin only after the last strike of a guide's machete cleared an overgrown patch of scrub. But the reality of Siem Reap's Angkor is this: hordes of tourists and well-worn paths leading to crowded temples.
Pick the wrong time of the day to visit Angkor Wat, the most famous of the region's temple complexes and the symbol on the Cambodian flag, and you'll be sharing the site with thousands.
The tour buses start arriving mid-morning and drop their passengers on the other side of the moat, with tourists flooding across the Naga Causeway to the dusty temple compound.
While Angkor is now firmly on the tourist track there are still ways to guarantee that you get to see the temples without being surrounded by hundreds of other people, and one is to pick the time of the day you visit.
Start early, and head into the temples while they are still quiet.
If your target is Angkor Wat, which was built by Suryavarmsan II between 1113 and 1150, start at the back gate and work forward past the teams of locals tending the grounds.
Your first view of the grand temple will rise from the path as you walk up the slight incline and you will get to see parts of the complex that many visitors don't come close to, like the detailed carvings on the long walls of the outer gallery.
Angkor Wat is a combination of corridors and courtyards, that are revealed like a Russian matryoshka doll, and it all surrounds the central towers which reach like blooming rose buds towards the sky.
When you're walking towards the front gate, with the temple behind you, make sure you leave the pedestal path and walk to one of the side ponds where you can see the structure perfectly reflected in the still water.
After visiting Angkor Wat make the short drive to Angkor Tom which was known as the Great Capital and considered to be a settlement under the protection of the gods when it was home to millions in the 14th century.
At the centre of this ancient city is Banyon which is a dilapidated structure made up of 16 towers that are clustered together and each one has four giant faces carved into the stone.
After the original inhabitants moved out of this complex around 1600 it was given back to the jungle and only rediscovered in the 19th century, by which time it had crumbled and only some of the faces remained.
This place is a maze of tiny rooms, steep staircases leading to open ledges, and dark corridors and every step will reveal a different perspective of a ruin that's built from ageing black and grey stone set against a moody humid sky.
Further along the same road is the monastery temple of Jayavarman VII, called Preah Khan, and while the secret with Angkor Wat is to start early the hint to visiting this peaceful complex is to come during lunch.
It's the hottest part of the day, when the daytrippers are hiding from the searing heat in the hotel pool, so the crowds all but disappear and the silence of the Cambodian bush that hugs this steamy site is disturbed only by the buzz of insects.
While Angkor Wat and Thom are impressive in their dilapidated beauty, it's hard to imagine anyone using those structures in the past. But Preah Khan is just as it was when it was a thriving community and while some walls have tumbled, and are now just a pile of stone blocks, it's still clear to see where one room finished and the other started.
Climbing through the dark corridor, which takes some effort because different levels have appeared as paving blocks and have moved over time, the door frames become smaller which was a design feature to thwart invading armies.
Just as with every building at Angkor there are sprays of intricate carvings on every wall and it's no different at Preah Khan with little Apsaras – Angkor's trademark celestial nymphs – or faceless buddhas on every surface.
Preah Khan was also given back to the jungle when the original community abandoned the town and now this is where you will see trees growing out of stone.
Right at the back of the complex, near the stage where dancers and musicians performed for the aristocracy, a seed dropped into a shelf in the stone wall hundreds of years ago and today the roots of a plump tree are draped over this ancient building.
There's one more temple that's worth a visit and while the first three sites are huddled together the fourth one, Banteay Srie, is a bit of a drive.
This is the Citadel of Women which was completed in 967 and today it's considered to be one of Siem Reap's treasures because of the intricate carvings, delicate structures and good repair.
This complex is also set inside a tall outer wall and protected by a moat, but while the other structures have been presented in a dull palette of black and grey this place is a rich ochre hue that glows in the Asian sun.
When a late shower falls on the area large drops plonk into the moat and make the lotus flowers dance as if they're being controlled by a puppeteer holding a string.
There are no grand structures here, just small chambers protected by false doors and connected by elevated walkways with high porches, and an old woman sits silently on a step with her back against a crumbling column to watch the tourists.
But it's the intricate carvings – more detailed and in better condition than at many other structures in the region – that make it a memorable place to visit.
It's not just the walls of carvings that tell historic tales but panels of stylised stone flowers that surround a false door and Apsaras beauties posing above a window.
Another rule is the further you get from Siem Reap the more quiet the attractions become and, with dozens of ancient sites to visit, it's not hard to find a place to enjoy without the crowds.
It's so easy to get to Siem Reap and Angkor these days and it's not considered to be a dangerous place any more, with the risks of getting into trouble no higher than in any other part of Asia that's on the tourist track.
But if you do plan to explore Angkor's ancient buildings consider engaging a local guide who will take you to the different attractions and pointing out things that make a visit more meaningful.
Our guide, Sarin, was a child of the Killing Fields who fled to a Thai refugee camp after his father was murdered. He waited out the Khmer Rouge regime and then had to live with monks when he returned to Siem Reap because his mother was too poor to care for him.
Sarin knew so much about every place we visited and would give us a commentary about carvings and pavilions with stories of kings and battles.
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