Wednesday, February 29, 2012

Cambodia's art revolution reaches global market

Feb 29, 2012
By Ellie Dyer
DPA

Phnom Penh - From the artworks of the capital's burgeoning galleries to the distinct school of design evolving in the north-western town of Battambang, Cambodian art is increasingly reaching a global market.

Cambodia's home-grown artists are showing in major Asian cities such as Hong Kong and Singapore. A season of Cambodian art is also planned for New York in 2013 while auction house Christie's is holding its first sale in the Kingdom in March.

Central to the buzz that artists are beginning to attract are the diverse influences that have shaped their lives and work.

'Artists have two obvious wells of inspiration: first, Cambodia's glorious history of highly detailed and ornamented temples and murals, and secondly, the naive, emotionally charged, post-Khmer Rouge, art-by-accessibility,' said Matthew Tito Cuenca, who is helping to organize Christie's charity sale on March 11.


The changes brought by rapid economic growth and development are also influencing creative minds.

'You are seeing artists responding to socio-political implications with a great deal of urgency,' said Kate O'Hara, manager of Romeet Gallery in Phnom Penh, who has seen increasing numbers of international collectors enter the country.

'The energy and motivation of these artists combine the traditional Cambodian visual linage with new aesthetics to reflect on contemporary issues that are local, but have global resonance.'

One such artist is Hour Seyha whose recent series Waiting for Sunrise explored his experience of child labour. In his early teens he worked in Thailand, at times illegally, to support his impoverished family. He returned to Cambodia alone at 15.

Hour, who is now in his early 20s, lived in an orphanage before eventually starting art classes at Battambang-based charity Phare Ponleu Selpak. The organization, which began in 1986 in a refugee camp, has helped develop a generation of raw talent.

Hour's highly emotive paintings - in muted yellows, reds and blues - are full of symbols of his time abroad. Footprints represent wounds; flip-flops illustrate slavery; red is a symbol of fear. 'I want to explain and make people understand about the issues in society,' he said at a recent public talk.

Fellow Phare Ponleu Selpak alumni Nov Cheanick, whose work is currently on display at the Four Rising Talents from South-East Asia exhibition at 10 Chancery Lane Gallery in Hong Kong, is also exploring the nature of modern society, using images of US President Barack Obama in his Freedom series.

Christie's auction is to also focus on contemporary artwork with sale proceeds set to be donated to the non-governmental organization Cambodian Living Arts. It helps support Cambodian art forms from traditional dancing to puppetry, many of which were nearly wiped out under the cultural nihilism of the Khmer Rouge regime from 1975 to 1979.

With paintings and sculptures from some of Cambodia's best-known artists up for grabs, auction organizers said international buyers are finding proxy bidders to snap up lots. Pieces set to be sold include work by contemporary sculptor Pich Sopheap and mask maker Sam Chanmonyroth.

In 2011, Christie's saw record sales of Asian art at 890.1 million US dollars, a 17-per-cent increase on 2010.

Christie's auctioneer Lionel Gosset is to travel to Phnom Penh to hold the sale. He said he believes that as Cambodia opens up, its 'rich artistic movement' will be seen.

'Young artists are already beginning to be recognized both in Europe and the United States,' he said.

'With quality work, recognition follows,' O'Hara said.

5 comments:

Anonymous said...

unlawful to take khmer arts work out of the country, period! it's called stealing, you know.

Anonymous said...

why would anyone want to hurt cambodia by looting and taking advantage of cambodia? why? that is so unlawful to do that to cambodia! be educated, please!

Anonymous said...

all khmer arts pieces, whether taken out of cambodia legally or illegally, we know they were taken out during time of conflict, civil strife, etc, so rightfully, they all must be returned to cambodia, its' rightful original and country and must not be sold for own benefit on aution for millions of dollars like this. this is how it encouraged people to loot them from cambodia due to their high demand from rich people around the world. please stop taking advantage and hurt my country cambodia. may god bless cambodia always.

Anonymous said...

It's a personal art works, they can sell to anyone anywhere YOU KNOW .

Anonymous said...

i think what they are talking about looting here is the khmer angkorian arts, not just any arts. you can't hack away and destroy a 1000 year-old khmer arts just for selling them, etc, you know. private arts and crafts people make for selling as souvenirs to tourists, it should be ok. know the difference. we are not talking about private arts and crafts people make to sell at the streets, we are talking about the angkorian arts work like angkor wat, bayon, ta prom, preah vihear, banteay chhmar, etc, etc, it is unlawful to loot those ancient arts work from cambodia. hello! must be speak khmer for you to understand? don't you speak khmer?