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Puos Keng Kang , known to Thai people as Ngu Keng Kong , is the most famous Cambodia movie that was recently screened in a retrospective of classic Khmer cinema in Berlin. |
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Peov Chouk Sor , a film about an angel who gets stuck on Earth, was saved from destruction when the director carried its print on the last airlift out of Phnom Penh. |
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The Thai poster of Ngu Keng Kong when the film was released in Thailand. |
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Tea Lim Koun |
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Ly Bun Yim |
Rare screenings of vintage Khmer movies recently showed the missing link in Southeast Asian film heritage
7/03/2012
Kong Rithdee
Bangkok Post
The Khmer Rouge, headlong and senseless, arrived in Phnom Penh and spoiled the party. During the so-called Golden Age of Cambodian cinema, from the 1960s to the early '70s, almost 400 films were released in the country. A number of them travelled across the border and were screened in Thai cinemas, some gaining the status of popular entertainment, and at least one, featuring a chattering snake and his love affair with a beautiful woman, becoming a classic remembered today by Thais as a lost, distant dream.
All Cambodian film-makers of those years were self-taught. They threw in their cauldron a recipe of primitivism, witchcraft, melodrama and folk horror that resulted in a cinema that bustled with colour and smelled of fragrant earth. When the Khmer Rouge approached the capital in 1975, however, the light from the projector grew dark. Artists and film-makers fled for their lives, many didn't make it, and out of the 400 movies made during those years, no more than 30 survived. It is one of the biggest losses in the history of Southeast Asian cinema.
Tea Lim Koun fled, too, at one point clutching a 16mm print of one of his films as he boarded the last airlift out of Phnom Penh. There had been bombs in the cinemas, and as the rebel advanced the curfew forced movie theatres to shut down. Intellectuals, writers, actors and artists were among those the Khmer Rouge made a priority to kill.