Webb reported from smack in the middle of everything. (Photo: UPI/Bettmann/Corbis)
The New York Times (USA)Kate Webb | b. 1943When Kate Webb reported from the battlefields of Cambodia, she kept her chestnut hair cropped G.I.-short and wore jeans and loose shirts to obscure her breasts. This was 1971. Only a handful of women were full-time correspondents in Vietnam, and even fewer women roughed the front lines next door in Cambodia, where military officers believed foreign women were, at best, a distraction. At worst, they were bad luck.
Bad luck was a virus among foreign correspondents in Cambodia. Unlike in Vietnam — where Webb arrived four years earlier at age 23 with a philosophy degree, a one-way ticket from Australia, a Remington typewriter, $200 in cash and a whiskey-and-cigarette voice so soft people leaned in to hear her — there were no reliable phone lines in Cambodia to call your editor in an emergency. There were no American military hospitals to sew up your bullet wounds; no helicopters to evacuate you when things got bloody. By April 1971, several years before the Killing Fields, at least 16 foreign correspondents were missing and 9 were dead.
On April 7, it was Webb’s turn. A 28-year-old bureau chief for United Press International, Webb was covering a clash on Highway 4, south of Phnom Penh. As bullets flew from every direction between North Vietnamese and United States-backed Cambodian troops, Webb and her Cambodian interpreter plunged into a ditch. By the time they eventually belly-crawled their way out, four other refugees from the attack had joined them: a Japanese photojournalist and his Cambodian interpreter along with a Cambodian newspaper cartoonist and a Cambodian photographer.
Throughout that afternoon and night, the six of them crept through the wooded foothills of Cambodia’s Elephant Mountains, holding their breath as they stood within inches of chatting North Vietnamese soldiers. At 11:30 the next morning, tired, thirsty, their clothes and skin shredded by branches, they were crouching in the underbrush when they looked up to see two skinny North Vietnamese soldiers with AK-47’s. The soldiers bound Webb’s arms behind her back with wire, vine and tape and roped all of the captives together in a single line. They confiscated their notebooks, their ID cards, their cameras, their watches. Then they took one thing that Webb held dear: a gold Chinese charm that she wore around her neck. She had clung to that charm in foxholes and always came out alive. Now without it, she felt naked.
After a soldier tossed her and other prisoners’ shoes into the trees, laughing, Webb was forced to walk barefoot on the hot asphalt and through woods littered with bamboo splinters and stones, until another soldier brought Webb a pair of thongs. She winced, knowing they had been stripped from a dead paratrooper.
Following a week of night marches, they arrived at a military camp where Webb slept in a hammock and alternated between stretches of numbing boredom and piercing fear. Why, she wondered, hadn’t they shot her? Did they believe her during the interrogations when she said she wasn’t an American, wasn’t with the C.I.A., wasn’t a soldier? Maybe they would turn her over to the Khmer Rouge, where death — perhaps preceded by starvation — was almost certain. Maybe they planned to march her to the Hanoi Hilton, where United States pilots were being brutally tortured. There are worse things than a single bullet to the head.
As Webb would later write in her memoirs, “On the Other Side: 23 Days With the Viet Cong,” there wasn’t all that much that separated soldier from prisoner. Both subsisted on two meals a day of rice and pork fat in a salted broth and wrestled with hunger, malaria, homesickness. Webb and a soldier she nicknamed Li’l Abner compared their scarred feet (his were worse) and, in French, discussed the Renaissance, the Reformation and the Napoleonic Wars. Three weeks into captivity, Webb had lost 25 pounds — down to 105, on her 5-foot-7-inch frame — and shook with fever from two strains of malaria. She longed to take a bath, to shave her legs, to eat an orange.
She was not, however, dead. On April 21, 1971 — while Webb was sitting in the jungles of Cambodia — this newspaper ran her obituary. Near Highway 4, two Cambodian officers had found a woman they believed was Webb with a bullet in the chest. In accordance with Cambodian military procedures, they cremated the body.
Around that same time, the North Vietnamese were telling Webb about their plans to free her. They figured out a drop-off spot where Cambodian forces might rescue them. And on April 30 — following what Webb would call a “Mad Hatter’s” farewell party with tea, cigarettes, candy and bananas — Webb and the other captives made their final night march, this time with their possessions returned, save for their notebooks and cameras. In the predawn darkness, the soldiers and their former prisoners said fast farewells and Webb and the others walked onto Highway 4 waving a small piece of white cloth. “Miss Webb,” said a Cambodian officer who spotted her on the roadside, “you are supposed to be dead!”
That night Webb stayed at a friend’s empty apartment, where three hot baths washed the filth from her skin and 15 glasses of iced orange juice finally quenched her thirst. A bed with clean sheets awaited her, but Webb chose the balcony; she missed her hammock. She thought about the soldiers she had nicknamed Dad, Gold Tooth and Mr. Lib, who risked their lives to walk her to safety.
Another journalist might have parlayed three weeks of captivity into celebrity status. Webb got back to work instead. For the next three decades, she wrote for wire services from Cambodia, Sri Lanka, Afghanistan, Indonesia, Korea, Hong Kong, the Philippines and India, living outside the usual expat neighborhoods, learning the languages, outreporting many of her younger colleagues and using her own modest income to supplement the salaries of in-country wire-service staff.
When she finally retired from front-line reporting at age 58, she returned to Australia, where her family had lived since leaving New Zealand when she was a child. There, she tended her garden and sketched nature scenes. And on some nights, with a cigarette in one hand and a beer in the other, and a rapt audience of friends and family, she told stories about a few of the places she had seen.
